…‘desert’ is a term Europeans use to describe areas where they can’t grow wheat and sheep.
This is a complement to Advogato, it is an aggregation of blogs of those who used to post on Advogato, but for one reason or another moved their blog from Advogato. It is provided as a service to those who would like to read the "greater Advogato" community.
This site works only as a Planet, it aggregates the post only, to comment on a blog entry, click on the title or time to go to the blog entry on the original site, hopefully it will have a comment facility.
If Feather’s Your Blue Eyed Boys got me through the brutal aftermath of Mum’s death in the summer of ’14, sassbandit and were_duck’s Draculoids Will Never Hurt You is shaping up to be the essential text for this spring under Fascism. The irony is that I first read it in June of 2011 without losing myself in it. It took six more years of working for Better Living Industries to get to the point where I know I’ll die if I don’t art-bomb the Man and write punk love songs to all my friends. (Ironic twist: gonna die anyway!)
For the full immersion experience, I’ve spent the last week listening to Danger Days on endless repeat and reading The True Lives of the Fabulous Killjoys. In the back matter, Gerard Way, who turned 40 this week (thank you, good sir, for surviving your descent into Hell), describes “looking inward, to that inner 16-year-old girl.” As a former 16yo girl myself, I can’t tell you how much I appreciate those rare moments when the culture at large stops shitting on 16yo girls even for a nanosecond, let alone acknowledges them as something strong and important and worth protecting.
But Way also identifies the Man as… himself. His drive, his ambition, his ego, his death wish. I don’t know why I am even a little surprised. Every text that speaks to me on that deep level is somehow about complicity.
I used to believe, bless my naive little heart, that I had something to offer the robbed dead. Not revenge—there’s no revenge in the world that could return the tiniest fraction of what they’ve lost—and not justice, whatever that means, but the one thing left to give them: the truth.